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Here are all the paintings of Paul Brill 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 31018 |
 |
Chasse au cerf |
mk70
Toile
H.1.05
L.1.37
Paris,Musee du Louvre
|
| 28452 |
 |
Mountain Landscape |
mk60
1626
Oil on canvas
29 1/2x40 1/2"
|
| 31017 |
 |
Paysage aux pecheurs |
mk70
Toile.
H.0.46L.0.71
Paris,Musee du Louvre
|
| 31016 |
 |
Paysage avec les pelerinsde'Emmaus |
mk70
Toile
H.0.95
L.1.42
Paris,Musee du LOUVRE
|
| 31013 |
 |
Paysage avec Saint Jean-Baptiste |
mk70
Toile
H.0.70
L.0.70
Paris,Ministere des Finances
|
| 29010 |
 |
Seascape |
mk65
Oil on canvas
33 7/8x45 11/16in
Uffizi,
|
| 29009 |
 |
The Stag Hunt |
mk65
Oil on copper
8 1/4x11in
Pitti
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| Paul Brill
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| Flemish painter , 1554-Rome 1626
were brothers, both born in Antwerp, who were landscape painters who worked in Rome after earning papal favor. They are also described as painters of capricci (whims or fancies) or vedute ideate or veduta di fantasia, with typical rustic hills with a few ruins. Mattheus began work on several frescoes in Rome from 1570 onwards, and his work includes the Vatican's Seasons. Mattheus died young, and his brother continued his work around 1574. Paul, a student of Damiaen Oertelmans, painted frescoes such as the landscapes in the Casino Rospigliosi (Rome), and The Roman Forum, which showed this site for what it had become: a slum for squatters and pasture for livestock (so much so that the place was nicknamed Campo Vaccino, or "The Cowfield"). His masterpiece may be a fresco in the Clementine Hall of the Vatican. Paul also did engravings and small cabinet paintings on copper, some of which are signed with a pair of spectacles (a pun on the French word brilles, "spectacles"). Some of these were collaborations with Johann Rottenhammer, who according to a dealer's letter of 1617 painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. He collaborated with his friend Adam Elsheimer, who he both influenced and was influenced by, on one painting.
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